Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, September 05, 2011

Zomia and the Hmong



I've read passing references to "Zomia," but had not known about the source of its current popularity until reading interesting review in the Chronicle of Higher Education: "The Battle Over Zomia," by Ruth Hammond. It discusses James C. Scott's book, The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia (Yale University Press, 2009). 


According to the article, his thesis is that the ethnic groups in the highlands of Southeast Asia are  "barbarians by design, using their culture, farming practices, egalitarian political structures, prophet-led rebellions, and even their lack of writing systems to put distance between themselves and the states that wished to engulf them."


Since I haven't read the book, I can't comment in detail, but there are a few interesting points worth drawing out. (Also, the Hmong feature prominently in the book and two leaders in Hmong Studies comment in the review.)


One point that stands out is the discussion of ethnicity. Based on the review, it sounds like Scott is looking critically at ethnic identity in the context of politics. One critic in the piece suggests that this reduces the meaning of ethnicity for people within the group. The article continues:

Scott counters that what he has done in dissecting the hill peoples' identities "has been done for almost every other ethnic group, in terms of deconstructing their history and showing that ethnicity is a kind of positioning and a performance.
"It's usually a mistake," he says, "to imagine that there is a great deal of genetic and genealogical continuity."
His book, he insists, does nothing to diminish those groups' claims to autonomy, land rights, and recognition: "I think that every identity is historically constructed, and, in fact, you can argue that that is in a sense even more noble and worthy of recognition: the self-creation of an ethnic group."
The idea of the "self-creation of an ethnic group" puts me in mind of Siu-Woo Cheung's article "“Miao Identity in Western Guizhou: Indigenism and the Politics of Appropriation in Southwest China during the Republican Period" from Hmong/Miao in Asia, in which he discusses how the modern Miao nationality was borne out of political necessity. The creation of the Hmong and Miao ethnicities continues today and can be seen in media (movies, music, etc.), scholarship, and of course through communication on the Internet. 
On a personal level, our ethnicity can provide a sense of rootedness--an inherited link to the past. Yet, as Scott points out, the genetic thread is a weak one and examples of non-Hmong people becoming Hmong by joining the community (through marriage or otherwise) can be found throughout history, as well as today. Culture is mutable, as is language. When viewed in this light, the frailty of ethnicity as a concept is apparent. 
Jean Michaud is quoted in the article as is Mai Na Lee, and both scholars provide several examples from Hmong history that counter Scott's claim about the political origins of ethnicity. This includes the idea that hilltribe people gave up written language to preserve political autonomy. (As Dr. Lee documents, written language has been something of an obsession for many Hmong people throughout history--certainly not something that was given up willingly.) At the same time, it sounds like most of his work was done in Myanmar, so examples from Hmong culture are not the best to prove his points. Certainly, the Hmong of Southeast Asia have always maintained an independent identity, even when integrating themselves into state power systems.
The article is though-provoking and I look forward to tracking down some leads to learn more about the idea of Zomia and how it relates to Hmong studies.

Friday, November 09, 2007

Hmong Voices oral history videos online

Videos are now online from Hmong Voices, a project by the Center for Multicultural Cooperation to collect and disseminate Hmong oral history. From the website:
Since 2004, a variety of partners have made it possible to develop the Hmong Voices Project, which brings together Hmong youth and elders to record oral histories and create digital stories documenting the history of the Secret War in Laos, the Thai refugee camps, immigration to the Central Valley, and integration into American life.
There are several episodes, only a few of which are available online at the moment. (I assume you can contact them to purchase hard copies of the video). I was able to view the DVD this fall and was impressed by scope the material. For example, one episode features an emotional interview with Gen. Vang Pao (hopefully to be included among the online videos soon.) In the meantime, you can view them at the CMC website, or find them via search at the Internet Archive. Episode 2 (embedded below) is a particularly effective narrative about the Secret War and its aftermath told in Hmong and English by people who experienced it firsthand:









Other episodes focus on the passage of California State Assembly Bill (AB) 78 (the impetus for the project) and individual oral histories of the Secret War. I am especially pleased to see the CMC take advantage of the Internet Archive for distribution of the videos, as opposed to YouTube (although, I notice that they also uploaded them to Google Video.) The Internet Archive is a non-profit, online library that allows for the free distribution of digital media without generating ad revenue for corporations. It supports embedding and multiple formats making it competitive with other online video services. (It's where I've placed my videos online--although, I've also tried out GV and YT). Of course, uploading to sites like Google Video and YouTube (which is now owned by Google) means more views and a wider audience--so perhaps is makes sense to utilize both: generating interest on the commercial sites and redirecting viewers to the non-commercial sources for the rest of the content. Both CMC and Hmong Voices are on MySpace, another great place way to reach a young and diverse audience (although it too is full of ads).

New developments on the Internet make digital distribution of rich media cheap and easy and it is exciting to see educators, researchers, filmmakers, artists, etc. take advantage of these new channels of communication. At the same time, we need to think hard about where our content goes and who benefits from it. Is free distribution worth supplying YouTube with free content and ad revenue? What is the security, dependability, and scalability of these resources? For instance, it appears that the Hmong Cultural Center has begun relying on YouTube alone for the online archiving and distribution of their excellent videos. Another problem with with resources is that they provide no standard way to organize the materials. There is no reference librarian to properly archive the content, and it's up to the users to provide meaningful organization (something lacking from the Hmong voices videos on the Internet Archive). These are issues that will hopefully correct themselves (e.g. social taxonomies) as people become more familiar with new Web interfaces and applications, but they should be addressed upfront in any planning for future projects.

In the meantime, here are some good old fashioned non-ad-supported collections of Hmong oral history online: